PG-13
2025    1h 55mDrama, Romance
5.840%6.5
Lives of two unique individuals, Shrirenu Tripathi and Madhu Bose. Embark on a journey full of unexpected twists, heartfelt moments and plenty of fun.
Directed by Vivek Soni
  • R. MadhavanShrirenu Tripathi
  • Fatima Sana ShaikhMadhu Bose
  • Namit DasDeepak
  • Manish ChaudharyBhanu Tripathi
  • Ayesha Raza MishraKusum Tripathi
  • Karan WahiNamit Agarwal
  • Kumar Kanchan GhoshPritam Mausaji
  • Shashie VermaaParikshit Mausaji
  • Saheb ChatterjeeJoy Mama
  • Shriyam BhagnaniNisha
  • Sanjeev WilsonPramod
  • Beena BanerjeeDidi Ma
  • Anubha FatehpuriaAnupama
  • Pubali SanyalBidhisha Mausi
  • Ananya ChatterjeeShona Masi
  • Mikhail GandhiYoung Shrirenu
  • Manjoree KarYoung Rakhi
  • Sachin ChoudharyRakesh
  • Ritu Chaudhry SethPramila
  • Vivek SoniDirector
  • NirupamJuly 14, 2025
    The second act conflict completely derailed the vibes for me. I knew it was coming and I know that’s part of the storyline and the point the film is trying to make, but it made R. Madhavan’s character so unlikable, and I just couldn’t get over it. Sure, he goes through his arc and all that, but I just couldn’t get over it. I was actively rooting against the couple. She was way out of his league and he had that attitude? Boy, don’t piss me off. For what it’s worth though, I thought the first half, where the characters fall in love, was pretty cute. Felt like a nice, mature love story, and well acted by our two leads.
  • macaronzJuly 1, 2026
    The initial setup where they anonymously interact on a dating app before dealing with an arranged marriage setup is sweet, awkward, and has a very pleasant, classic rom com vibe. R. Madhavan’s portrayal of a reserved, old-fashioned Sanskrit professor (Shri) and Fatima Sana Shaikh’s performance as the modern, outspoken French teacher (Madhu) praised. Even when the script falters, their acting keeps the movie watchable. The film heavily relies on loud, exaggerated family tropes (the ultra-conservative, patriarchal family clashing with the modern, progressive family), which makes the drama feel dated ironic for a movie trying to challenge outdated ideas. The film starts strong but completely loses its way in the second half. The conflict arises when the app interaction is revealed, triggering Shri's patriarchal insecurities. While the film tries to score points for calling out double standards in dating and marriage, I note that it gets overly preachy and unconvincing near the end. The background score and soundtrack are beautiful and add a lot of charm to the romance.
  • whizzzkidOctober 7, 2025
    Aap Jaisa Koi is a modern rom-com that thoughtfully explores the complexities of a May-December romance in today's society. It’s a heartfelt film that attempts to challenge patriarchal norms and celebrates love in its many forms, even if it occasionally stumbles in its execution. The Good R. Madhavan and Fatima Sana Shaikh's on-screen chemistry is undeniably strong, creating a believable and charming dynamic that grounds the central love story. The film's cinematography and production design are visually appealing, capturing the aesthetics of Kolkata beautifully. The script is commendable for tackling relevant themes like age-appropriate love, female sexual agency, and the nuances of patriarchal mindsets within a family-friendly narrative. The Bad Despite its noble intentions, the film's execution can feel heavy-handed, with its messaging sometimes coming across as preachy rather than subtle. The pacing is a significant issue, as it rushes through key emotional conflicts and their resolutions. The supporting characters, while well-acted, are often reduced to tropes and their subplots are not given enough depth, leaving the audience wanting more. Aap Jaisa Koi is a film with a sincere heart and a refreshing premise, offering a sweet and thought-provoking love story that, while imperfect, is a step in the right direction for modern Bollywood cinema.

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