R
2025    1h 38mAction, Thriller
6.176%78%6.4
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A woman, travelling alone through snowbound northern Minnesota, interrupts the kidnapping of a teenage girl. Hours from the nearest town and with no phone service, she realizes that she is the young girl's only hope.
Directed by Brian Kirk
  • Emma ThompsonBarb / Executive Producer
  • Judy GreerPurple Lady
  • Marc MenchacaCamo Jacket
  • Laurel MarsdenLeah
  • Gaia WiseYoung Barb
  • Cúán Hosty-BlaneyYoung Karl
  • Dalton LeebYounger Hunter / Writer
  • Lloyd HutchinsonLawyer
  • Brían F. O'ByrneTall Hunter
  • Paul HamiltonOld Karl
  • Brian KirkDirector
  • Nicholas Jacobson-LarsonWriter
  • Gideon YuExecutive Producer
  • Chris BoscoExecutive Producer
  • Elizabeth A. BellExecutive Producer
  • Oana IancuExecutive Producer
  • Jonathan SaubachExecutive Producer
  • Klaus DohleExecutive Producer
  • Samuel HallExecutive Producer
  • Michael J. RothsteinExecutive Producer
  • Rüdiger HortJuly 6, 2026
    A solid slow burn.
  • RickSeptember 22, 2025
    Bad ass old lady (sorry for cursing) and a brutal winter setting. Add lots of tension and some unexpected turns and you have a pretty good thriller.
  • Michael SurberOctober 24, 2025
    Disappointing. Emma Thompson is great and Judy Greer is unhinged but the story seemed disjointed and directionless after the first thirty minutes or so.
  • macaronzJune 16, 2026
    This is a well made, slow-burn crime thriller. Emma Thompson’s character is portrayed as incredibly courageous, standing in sharp contrast to Judy Greer's negative role as a dying woman who has absolutely nothing left to lose. The screenwriting is tightly written, and the isolated winter setting is absolutely spot on. While the film doesn't feature a ton of heavy action or intense thriller moments, it completely worked for me. I really enjoyed watching it. Highly recommended if you love atmospheric thrillers! 4/5 🎬
  • ርልዪረOctober 24, 2025
    OMG! easily one of the movie surprises of 2025 I was not expecting this movie to be this good, one of 2025s must sees even, seriously it's that good. Emma Thompson delivers a career defining performance delivering a Frances MacDormand in Fargo type performance. Normally I'm not a Emma Thompson fan labelling her a parody/pantomime actress ..but Holy Shit! she delivers the ultimate method performance here, I'd even go as far as to say, it's a waste of time nominating any other actress - shove the Oscar into Emma Thompson's hand already! If like me you relish blistering brilliant method performances unfold on the big screen, Emma Thompson's performance fits the bill here. Go into this movie as blind as possible without seeing the trailer or googling spoilers. Even the supporting cast (the guy with the beard) are phenomenal. Movie Buffs - do not miss this one!
  • Johnny BeltonJanuary 5, 2026
    great movie
  • Josh CNovember 8, 2025
    I wanted and needed more from this. I was excited for this movie being a Minnesotan, but it was another spoof performance where it fell on the stereotype that we’re all simple and all say these stupid phrases that just make us sound dumb. All that aside, I was hoping for a bit more of a thriller with more excitement and it just didn’t deliver the way I had hoped.
  • ShaydeknightDecember 19, 2025
    Dead of Winter is a restrained, character-driven thriller anchored by a formidable performance from Emma Thompson. On its surface, the premise is simple: Barb, a woman travelling alone, stumbles upon a kidnapping in a remote, frozen landscape and chooses to intervene. What follows is not an action-movie fantasy, but a carefully constructed "what if" scenario grounded in the limitations, fear, and determination of ordinary people. This is very much a film about realism. In a more conventional genre entry, the central conflict would be resolved in minutes through violence or coincidence. Here, the story instead painstakingly maps out what such a situation might actually look like for someone without training, authority, or physical dominance. The tension arises not from spectacle, but from incremental decisions and their consequences. Emma Thompson is, as expected, exceptional. Her performance is largely physical and internal, she has relatively little dialogue. Yet she communicates volumes through posture, movement, and restraint. Her commitment to character work is quietly astonishing. It is also refreshing, and necessary, to see an actress of her stature stepping into substantive, complex roles for older women. Cinema needs more stories that allow age to be a source of depth rather than a limitation. Brian Kirk's direction is an interesting choice. Known primarily for his television work, this film feels like a deliberate, focused step into feature filmmaking. The collaboration appears mutually beneficial: Thompson, who also serves as executive producer, continues to carve out meaningful space for herself in film, while Kirk delivers a tightly controlled, atmospheric piece that feels personal and intentional. The setting functions as a major character in its own right. The cold, isolation, and vastness of the landscape are palpable. The wide shots are stark and beautiful, while the close-ups are intimate and precise. For viewers familiar with such environments, the film's sense of place is especially evocative, you can almost feel the air and the silence pressing in. Narratively, the film is strong, though I think it could have benefited from slightly more exposition regarding the kidnappers' motivations and history. Judy Greer does a bang-up job, it would have been good to have given her just a little bit more screen time to understand precisely why she does what she does. That said, the restrained approach keeps the focus where it belongs, on Barb's internal journey. Flashbacks to her life with her husband, Carl, are introduced gradually and thoughtfully, adding emotional texture without derailing the central plot. These moments also give rise to one of the film's most intriguing, lingering questions: is the ending what Barb had planned all along? Perhaps not in its precise execution, but in terms of the ultimate outcome. The film never answers this explicitly, and that ambiguity feels deliberate rather than evasive. It invites reflection rather than closure. In tone and pacing, Dead of Winter sits comfortably alongside slow-burn thrillers like Dead Calm, Misery, or Gerald's Game. It prioritizes tension, character, and atmosphere over action. For viewers willing to engage on those terms, it is riveting, I was fully absorbed from beginning to end.
  • cat_packNovember 28, 2025
    You could tell right away they're Canadian by both the accent and setting a record number for saying "sorry" in a movie. Honestly good though, I didn't expect much but was surprised
  • ricomckeeNovember 21, 2025
    There is a great amount here to love in this movie. Emma gives an amazing performance as does all the actors. However, the characters make foolish mistakes or choices through the whole movie which is the only reason the movie keeps going.
  • ThreeGsApril 11, 2026
    Bit of a slow burn. Pretty intense.
  • Mathew BunnNovember 5, 2025
    A simple premise done very well. Definitely worth a watch
  • PatrikStarApril 4, 2026
    Watchable, but nothing special. Emma Thompson carried it though.
  • eyeofthetornadoOctober 30, 2025
    “We don’t know what’s coming. We never really do but it don’t matter. We don’t quit.”
  • kawasakiinitOctober 25, 2025
    Very good film well acted

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