• Karidja TouréMarieme / Vic
  • Assa SyllaLady
  • Lindsay KaramohAdiatou
  • Mariétou TouréFily
  • Idrissa DiabatéIsmaël
  • Cyril MendyDjibril
  • Tia DiagneBambi
  • Rabah Nait OufellaKader
  • Damien ChapelleCédric
  • Simina SoumaréBébé
  • Dielika CoulibalyMonica
  • Djibril GueyeAbou
  • Binta DiopAsma
  • Chance N'GuessanMini
  • Nina MéloCaidy
  • Elyes SabyaniAbdel
  • Halem El SabaghFarida
  • Nassereba KeitaSweety
  • Céline SciammaDirector / Writer / Costume Designer
  • Bénédicte CouvreurProducer
  • James SaenzApril 12, 2026
    i’ve only seen portrait of a lady on fire and petite maman, but it’s so clear with just those two films that sciamma is a master of the craft (i’ve also seen my life as a zucchini, but she only co-wrote that film). the way she uses music to signify chapter transitions is far more engaging and sets tone better than chapter title cards ever could. her obsession with female relationships is a constant throughout her work, and i love the exploration of camaraderie presented here. it nudges at commentary on socioeconomic and racial struggles, but doesn’t feel like it’s adequately equipped to delve into them in the way they needed. what stuck with me most was the safety vic found in her sisters and friends, the comfort and love shared in their physical touch; it’s a stark contrast to how she operates around men, from her brother to her boyfriend to her boss. there’s a caution in her demeanor that she’s only able to release once she’s alone with other girls. the “diamonds” dance scene, along with the opening football sequence and the subsequent walk back to the apartments, is a perfect example of this. it’s my least favorite of sciamma’s feature films so far, but it’s still so vulnerable and left me in a tender state by the time the credits rolled.

Watch Girlhood Videos

  • Girlhood
    GirlhoodTrailer

Girlhood Trivia