Not Rated
2014    1h 33mAction, Crime
6.044%6.0
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Violent anti-hero Bill Williamson has a plan to change the world by exacting vengeance on the rich, and ripping Washington apart. He holds a number of people hostage and uses his captives as his political platform to spread his message and awaken humanity. It's time to destroy the system, and change won't happen peacefully.
Directed by Uwe Boll

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  • Brendan FletcherBill Williamson / Writer
  • Lochlyn MunroChip Parker
  • Mike DopudMarc
  • Michaela MannMarlene
  • Bruce BlainThe Homeless Guy
  • John SampsonJohn
  • Nathan LehfeldtOffice Guy / SWAT Guy
  • Uwe BollAndy the Producer / Director / Writer / Executive Producer
  • Matt FrewerMr. Williamson (voice)
  • Dan ZacharyNews Crew Camera Man (uncredited) / Second Assistant Director
  • Andy HolmesUndercover Officer (uncredited)
  • Peter BrownHostage (uncredited)
  • Natalie BollProducer
  • Evans ChanAssociate Producer
  • Jonathan ShoreAssociate Producer
  • Caitlyn BurnsProduction Design
  • Harry BrarSet Decoration
  • Mathias NeumannDirector Of Photography
  • Claudia Da PonteCostume Design
  • Leah CuffMakeup Department Head
  • Patrick WaiJune 28, 2026
    For a sequel built around a man trying to ignite a revolution, Rampage: Capital Punishment feels surprisingly repetitive. Instead of evolving as a filmmaker, Uwe Boll largely repeats the formula of the first movie, right down to recycling footage and relying on the same hyperactive handheld camerawork. What once felt raw now simply feels tired. The movie is actually at its strongest during the first half, when several storylines are unfolding simultaneously. Bill is moving through his plan while the outside world slowly reacts, creating tension and uncertainty. Once he occupies the television station, however, the narrative becomes almost entirely linear. From that point on, the film loses much of its momentum and settles into a predictable hostage scenario. That shift also exposes the screenplay’s biggest weakness. Just as I noted in my review of the first film, the most compelling aspect of Bill Williamson isn’t the violence but his ideas. Whether his philosophy is persuasive or completely deranged, the movie would have benefited from sharper dialogue and a more carefully developed exploration of his message. Instead, the speeches often feel underwritten, leaving the central conflict less engaging than it could have been. Technically, little has improved. The handheld camera remains relentlessly shaky, the editing is rough, and Boll still favors a documentary style that initially creates energy but eventually becomes distracting. Rather than heightening realism, it often draws attention to itself. Like its predecessor, Capital Punishment works best as a conversation piece rather than as an action thriller. It raises provocative questions without offering satisfying dramatic development. Unfortunately, because the filmmaking hasn’t matured much since the original, the sequel ends up feeling more like a retread than an escalation.
  • AndrewSeptember 1, 2025
    Trash anti 2nd amendment garbage. No research on subject matter just an angry incel trying to seem cool for internet points. Average lefty

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