Not Rated
1975    1h 57mDrama, Horror
5.871%62%6.3
In Nazi-Fascist Northern Italy in 1943-44, four senior members of government, aided by henchmen and Nazi soldiers, kidnap a group of young men and women. They hold them for 120 days, subjecting them to all manner of torture, perversion, and degradation.
Directed by Pier Paolo Pasolini

Where to Watch Salò, or the 120 Days of Sodom

  • Paolo BonacelliThe Duke
  • Giorgio CataldiThe Bishop
  • Uberto Paolo QuintavalleThe Magistrate
  • Aldo VallettiThe President
  • Caterina BorattoSignora Castelli
  • Elsa De GiorgiSignora Maggi
  • Hélène SurgèreSignora Vaccari
  • Sonia SaviangeThe Pianist
  • Sergio FascettiSergio
  • Bruno MussoCarlo Porro
  • Antonio OrlandoTonino
  • Claudio CicchettiMale Victim
  • Franco MerliMale Victim
  • Umberto ChessariMale Victim
  • Lamberto BookLamberto Gobbi
  • Gaspare Di JennoRino
  • Giuliana MelisFemale Victim
  • Faridah MalikFatimah
  • Graziella AnicetoFemale Victim
  • Renata MoarFemale Victim
  • St7K
    St7KAugust 16, 2026
    An incredible indictment of modern corporate fascism as it so blatantly rules in our modern age. Essential viewing!
  • Garrett Wilkins
    Garrett WilkinsJuly 30, 2026
    I watched Salò, or the 120 Days of Sodom because it's one of those films people insist stays with you forever. This is not the experience I found, though. Instead, I was left wondering whether I was watching cinema at all. Pier Paolo Pasolini's political intentions are easy enough to recognize, but I never found them effective. Turning fascists into vessels for increasingly unoriginal acts of depravity eventually stopped feeling like satire and started feeling like propaganda. For me, that undercut the film's message rather than strengthened it. When every new scene exists to prove the same point in a more extreme way than the last, outrage eventually gives way to indifference. Nothing summed this up more than the infamous chapter "Girone della Merda." The film further cements its lack of value by using sexual assault and rape as nothing more than cheap gimmicks to shock viewers. I understood what Pasolini was trying to communicate, but by that point, the escalation had become so relentless that it no longer carried much emotional or intellectual weight for me. I wasn't disturbed nearly as much as I was exhausted by a film that seemed to believe pushing further was the same as saying more. I can appreciate Salò's place in film history and why it continues to provoke discussion decades later. Nonetheless, I think its reputation rests more on endurance than lasting artistic power. For all its notoriety, I found it quite hollow and, perhaps most unexpectedly, easily forgettable. Provocation without persuasion
  • manesjulyen
    manesjulyenJune 15, 2026
    Boring movie.
  • craft1947
    craft1947February 6, 2026
    Well, that's perhaps one of the most disturbing movies I've watched. Was just a bunch of perverted sex fetishes thrown into a movie
  • Doruk Dalçam
    Doruk DalçamDecember 3, 2025
    The film is bold but it is missing the audience... These could be more interaction between the narrative and audiences. I see a missing opportunity there.
  • diego.574
    diego.574March 7, 2025
    Bizarre, twisted, disgusting with a lot of cringe.
  • HF
    June 10, 2026

    Up to date

    I find it strange that there are still people who deny the facts illustrated by the director in the film, even though we see more and more images and footage confirming that these events actually occurred and are still happening today.

Salò, or the 120 Days of Sodom Trivia