R
2015    1h 34mHorror, Thriller
5.977%52%5.9
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Two terrified girls must battle a mysterious evil force when they get left behind at their boarding school over winter break.
Directed by Osgood Perkins
  • Emma RobertsJoan Marsh
  • Kiernan ShipkaKat
  • Lucy BoyntonRose
  • James RemarBill
  • Lauren HollyLinda
  • Peter J. GrayRick
  • Emma HolzerLizzy
  • Matthew StefiukRanger
  • Greg EllwandFather Brian
  • Elana KrauszMs. Prescott
  • Heather Tod MitchellMrs. Drake
  • Peter James HaworthMr. Gordon
  • Rose GagnonDawn the Secretary
  • Ronda Louis-JeuneWaitress
  • Cameron PreydeNettle Ned
  • Myranda BinghamContortionist
  • Jodi LarrattKat's Mom (uncredited)
  • Douglas KiddKat's Dad (uncredited)
  • Tori BarbanPrivate School Student (uncredited)
  • Veronica CormierPrivate School Student (uncredited)
  • jamessa84July 15, 2026
    Poor story line. Hard to follow. Three thumbs down. 👎👎👎
  • AngusMcNutzJanuary 15, 2025
    This is an incredibly frustrating film. There is something to be said about how effective Osgood Perkins is at establishing consistent tone and mood; something a lot of slow burns fall flat on. At the same time, being deliberately vague can only take you so far before it starts to take the weight out of the reveals that your film is built on. And it makes it even more frustrating when the entire cast is firing on all cylinders.
  • rg9400July 8, 2026
    I'm fairly shocked by the low scores for this movie. The imagery can be fantastic at times with very effective building of atmosphere. The acting from Emma Roberts and Kiernan Shipka in particular helps quite a bit. The plot isn't particularly obtuse either, with a straightforward approach that focuses much more on style and vibes than something more allegorical. I think the biggest drawback of the film is its structure where it jumps between perspectives and time at strange moments. In particular, it very clearly (and intentionally) seems to tip its hand halfway through the movie, but then seems to draw out the reveal until the end of the movie as if it is a surprise. I feel like something more linear would have served the movie much better. I also don't love the more nihilistic tone. Regardless, if you like very striking horror imagery with some excellent vibes, this movie is actually pretty good! Osgood Perkins has a lot of potential as a director. It's certainly a better watch than a cookie cutter generic horror movie, even if the score doesn't reflect that.
  • Vitor Lameirão AlvesDecember 28, 2025
    Not a conventional horror film, but a meticulously crafted psychological thriller reminiscent of The Witch and The Babadook (in tone). Kiernan Shipka anchors the cast with a magnetic, unsettling presence. Its slow, atmospheric storytelling rewards patience, with sound design and narrative ambiguity enhancing the chilling tone. Risky, divisive, but memorable.
  • Nigel BurtonJuly 5, 2025
    Very atmospheric
  • old_computerJanuary 29, 2026
    I've tried to watch this movie x3 times and still can't get past the 1/2 mark. It's drawn out, very slow and just missing any aspect of captivating the audience or doing anything creative or worth watching.
  • makdelartNovember 20, 2025
    An incredible atmosphere. Possession, Satan, exorcism in an independent version – no Hollywood clichés. You could quibble about the ending, but it's a real gem.
  • Daniel GustavssonOctober 11, 2024
    Well, this movie wasn't very good. It tried way too hard to be artsy and atmospheric, to the point where it was just silly. Also, I'm a big fan of slower movies, but this movie was just so filled with filler shots, and pretentious stuff that it simply became a bit boring at times. And of course, the acting was a bit "weird" and the movie made no effort in having rhyme or reason. But I suppose that's supposed to be artsy. I'd avoid this.
  • Garrett WilkinsMay 23, 2019
    Oz Perkins demonstrates an impressive command of atmosphere in The Blackcoat’s Daughter, crafting a film whose quiet sense of dread lingers long after individual scenes have ended. The cold winter setting, restrained performances, and unsettling score create an almost hypnotic mood that rarely lets up. Kiernan Shipka, Emma Roberts, Lucy Boynton, and Lauren Holly all contribute strong performances, while Perkins directs with a patience that shows remarkable confidence for a filmmaker more interested in tension than conventional scares. Where the film ultimately lost me was in its storytelling. I found myself struggling to keep track of the characters and how they fit together, making it difficult to become fully invested in what was unfolding. Maybe that says something about my own ability to follow films of this nature, but I never quite found the narrative footing needed to appreciate the mystery as much as I appreciated the atmosphere surrounding it. I have no doubt that repeated viewings would reveal details I missed the first time, but I also believe a mystery should reward careful attention without leaving the audience confused about the fundamentals of its narrative. The mystery eventually comes together, but the journey never became engaging enough for the payoff to fully resonate with me.

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