2020    81mComedy, Drama
6.6100%86%6.4
Julio (Cámara) and Ana (Cuesta) have been together for more than fifteen years. They have become a couple who have made fighting the essence of their relationship. But when their young upstairs neighbours visit one evening, they make an unusual proposal which may turn the evening into much needed cathartic experience, and revitalise their marriage.
Directed by Cesc Gay

Where to Watch The People Upstairs

  • Javier CámaraJulio
  • Belén CuestaLaura
  • Alberto San JuanSalva
  • Griselda SicilianiAna
  • Cesc GayDirector / Writer
  • Laia BoschExecutive Producer
  • Marta EstebanExecutive Producer
  • Anna Pujol TaulerProduction Design
  • Betma JanerAssistant Set Decoration
  • Mariona FerrerSet Decoration
  • Andreu RebésDirector Of Photography
  • Karol TornariaMakeup Artist
  • Anna GüellCostume Design
  • Martha MarínHair Department Head
  • Sara Clemente QuinteiroAssistant Costume Designer
  • Jazmin SanzSeamstress
  • Martina Sáez SaviWardrobe Intern
  • Maribel BernalesMakeup & Hair Assistant
  • Ruben GoldfarbFirst Assistant Director
  • Eva S. NofuentesSecond Assistant Director
  • Kevin Ward23h ago
    I liked this quite a bit, but I think Olivia Wilde’s remake is considerably better. Production values, cinematography, performances and the ending in particular felt elevated in The Invite. Some of that difference in feeling is probably because of the humor. Picking up on the subtleties in humor in a foreign language film almost always results in at least some aspects being lost in translation. I suspect that’s the case here, as I didn’t find this nearly as funny. It’s a good watch, surprisingly tender given the premise. 
  • Miguel GaudencioJune 25, 2026
    The People Upstairs is one of those wonderful little cinematic pearls that proves how much can be done with very little when the writing is sharp. Set almost entirely inside one apartment, the film moves with the precision of a Swiss clock: every line, reaction, silence, and awkward turn feels perfectly placed. The comedy rhythm is brilliant, the acting is excellent across the board, and the whole piece becomes wilder and funnier precisely because it is so contained. Simple in form but rich in timing and character, this is chamber comedy at its best — majestic, tight, and genuinely hilarious.
  • macaronzJuly 14, 2026
    Brilliantly contained dark comedy that explores a wild question: can a neighbor's invitation to an orgy actually fix a broken marriage, or at least help the couple move on? The comedy works beautifully because the film never tries too hard; it relies entirely on its sharp script and excellent ensemble acting. The directing is noticeably restrained even the background music is kept mostly silent, only making an appearance in the final act to let the dialogue breathe. Rather than delivering a neat, happy ending where the couple magically falls back in love, or resorting to a definitive, ugly breakup, the film concludes on a note of exhausted truth. As Ana hands Julio the candle and they retreat to separate rooms, the silence proves that they have finally stopped screaming and started acknowledging their reality with honesty instead of sarcasm.

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